You must behave yourself.

These are very important people.
Whoever wrote this note has entirely missed the point of the passage.
H Doraththa does not submit to Cassabon.
She endures him.
There is a considerable difference.
And you believe the annotator [clears throat] missed that distinction? I believe he read the words and ignored the woman.
A common error in my experience.
[laughter] You may be right.
You concede that rather easily for a man who wrote it.
Forgive me.
I find the garden safer when it is empty.
Then I shall pretend to be a shrub.
You are not sufficiently leafy, Mr.
Alden.
The gentleman at the end, Mr.Alden they call him.
Remarkable is it not how some men command a room without even trying.
Do you know him well, Lady Harwick? Well enough.
He looks profoundly dissatisfied.
Perhaps no one ever disagreed with him.
That would do it.
I wonder what his grace the Duke of Ashworth makes of country house parties.
He seems rather out of his element.
How charming.
How very charming indeed.
Is it true? Are you? Yes.
How long? Since the first night.
Since the note I slipped under your door.
Since the garden walk.
[sighs] You should have told me.
I know.
Because you argued with me about a book as if I were simply a man who had written a foolish annotation.
Not a title, not a fortune.
I could not remember the last time anyone had done that.
As if I was simply a man.
That is a remarkably selfish reason.
Yes.
One must almost admire the strategy, pretending not to know a man’s title.
So very disarming, so very calculated.
Do you suggest she knew all along? I suggest only what I observed.
Draw your own conclusions.
This is not necessary.
No, it is not necessary.
It is true.
Before these witnesses, she knew the man.
Now let her know the title.
She knew the man.
Now let her know the title.
The annotation in the margin was wrong.
You were right.
You were right about everything.
You could have told me.
I know.
Because you were the first person in 11 years to argue with me about a book.
I was not ready for it to end.
It is a very long time to go without a proper argument.
unconscionably long.
The annotation, [music] your argument was that Doraththa bore responsibility for her own diminishment, that she chose Cababon with open eyes.
And you believe that still? No, I believe she saw what she hoped to see, which is a different thing entirely.
I believe I understand that rather better than I did a week ago.
Then you had better read it again.
I suppose that I was wrong about Dora entirely.
And yet I find I am not sorry for the error.
There are romances that announce themselves with grand gestures, [music] ballrooms and declarations, scandals and public claims.
And then there are romances that begin with an argument about [music] a book.
Elellanena Voss arrived at Thornfield Park with a letter warning her to behave herself and [music] a copy of Middle March she considered more useful than the warning.
She did not know she was about to meet a duke.
She did not know she was about to argue with him about [music] whether Doraththa Brookke bore responsibility for her own diminishment.
She did not know that her willingness to disagree with a stranger in a library would matter more than any amount of proper behavior ever could.
What she knew was this, that some men [music] read the words and ignore the woman, that endurance is not the same as submission, that the difference [music] between the two is considerable, and she said so to a man [music] she did not know.
At 11 at night in his library, he conceded [music] the point.
Then he smiled.
Not the careful smile of a host attending [music] to duty, but something that reached his eyes and stayed there.
The smile of a man who had not been genuinely disagreed with in 11 [music] years, and had just discovered how much he missed it.
Sebastian Alden, Duke of Ashworth, withheld [music] his title because being argued with as a man was so rare and precious that he could not bear to end it.
[music] This was selfish.
Elellanena named it so.
He agreed without defense.
But perhaps there is something to be said for a selfishness born from loneliness so [music] profound that genuine intellectual challenge feels like oxygen after years of suffocation.
[music] Lady Harwick came for Elellanena with a smile like a door being closed.
She positioned herself where her voice would carry.
[music] She dropped the title, His Grace, the Duke of Ashworth, as if everyone already knew, as if Elellanena’s ignorance was performance rather than truth.
She opened her fan with a sound like a pistol shot, and invited 200 witnesses to draw their own conclusions about calculated strategy and disarming pretense.
Elellanena stood very still [music] and did not allow her expression to change.
She had been taught how to be looked at.
She had learned at least that much.
Sebastian crossed the ballroom in silence.
He stopped before Lady Harwick and looked at her until her fan closed [music] and did not open again.
Then he turned to Elellanena and held out his hand palm up, leaving the choice entirely with her.
She reached into her pocket and placed the note he had written in his palm.
The note signed only a the note that said the most honest conversation he had had in years.
He wrote his full name across it, Sebastian Alden, Duke of Ashworth, in front of 200 witnesses.
Before these witnesses, he declared she knew the man.
Now let her know the title.
He told her publicly that the annotation in the margin was wrong, that she was right, that she was right about everything.
They returned to the library where it had begun.
They sat in the same chairs.
[music] They argued about Doraththa again.
He admitted he had changed his mind, [music] that he understood better now that seeing what one hopes to see is [music] different from choosing with open eyes.
Elellanena turned the book to the ending and told him to read it again.
He looked at the page.
[music] He looked at her.
He smiled the smile that reached his eyes.
He said he supposed he was wrong about Doraththa.
She said entirely.
He said he was not sorry for the error.
Neither was she.
The lamp burned on.
The book lay open between them.
Outside the first gray light of morning was beginning [music] very quietly to consider the hills.
Some romances begin with grand [music] gestures.
This one began with a woman who refused to pretend she was less intelligent [music] than she was, and a man who discovered that being wrong had never felt so much like being [music] found.
This is a fictional, emotional short film created for entertainment purposes.
No animals or people were harmed in any way during production.
All depicted scenes represent artistic storytelling born from creative imagination.
Characters, events, and dialogue are entirely original and not based on real occurrences.
Visuals and audio have been digitally generated or edited.
This content is purely fictional and created using AI assistance.
This video is [music] fictional and not real.
The female looking character in this video is over 18 years old.
[music] No harm has come to any living being.
All scenes depicting emotional distress, danger, coercion, or vulnerability are fictional artistic representations created through digital video generation technology.
Visuals and audio have been digitally generated or edited.
This content is purely fictional and created using AI assistance.
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